2009 Cristom Pinot Noir Marjorie Vineyard

Featuring the one block of vines planted in 1982 that owner Paul Gerrie was able to salvage when he purchased the property a decade later – and a portion of which, due to phylloxera, was recently grafted to Dijon clones and thus temporarily taken out of commission – Cristom’s 2009 Pinot Noir Marjorie leads with deep if ineffable bittersweet floral perfume along with intimations of marine breeze and meat stock that presage the soy-like and mineral notes which, in mingling with lightly-confitured as well as distilled cherry on this wine’s polished palate, unleash helpless salivation and at least in my case lead to a compulsion to take the next sip. While it lacks quite the lift or subtly interactive complexity of its Jessie and Eileen counterparts, this finishes with sappy intensity and capital “U” umami, promising to perform terrifically at table over the next 12-15 years. Twenty years ago, engineer and Burgundy-lover Paul Gerrie and his wife Eileen purchased the Pellier Winery (then recently abandoned by Mirassou). “It just felt right,” he says, even though Mike Etzel of Beaux Freres – from whom Gerrie had sought advice – expressed doubts based on the quality of wines that had issued from this site. “You saw a diamond in the rough – because it was rough,” remarks Steve Doerner, the biochemist whom Gerrie hired almost immediately as winemaker – a protegee of Domaine Dujac’s Jacques Seysses who had been with Josh Jensen almost since Calera’s inception, and been Jensen’s right-hand man for a dozen years. Simultaneously, Gerrie hired Mark Feltz as vineyard manager; and four years later tapped local coffee shop manager Andy Zorzi to assist Doerner and Feltz. The fact that this same quartet is still pursuing the same mission in itself suggests that either complacency has long since rendered their wines passe, or else they have perfected Pinot in a distinctive style; and few if any who read these lines will have needed me to tell them that the latter scenario has (indeed, long since) been realized. Doerner has influenced and inspired many other Oregon winemakers, even if it seems that only very recently has his well-known favoritism toward whole clusters with stems – which have among other things a tendency to elevate pH – been at all widely shared. “To be honest,” admits Doerner, “even though I don’t like to have to say that I add acid, I sometimes feel that I don’t add enough, given our pHs.” That comment is typical of the self-effacing, self-confident, but non-doctrinaire picture that comes through in conversation with Doerner. He normally lets fermentation for Pinot proceed spontaneously and prefers five ton fermentation tanks, though he also employs smaller plastic bins and larger tanks. Extraction is via punch-downs; there’s usually some post-fermentation cap contact; and the young wine is not settled but instead, conspicuously, goes to barrel “dirty.” (More than one Willamette winemaker who explained to me his or her practice of settling before going to barrel told me in essence ‘Doerner avoids reduction problems, but don’t ask me how.’) The Cristom property was early-on divided into sectors – each bearing Gerrie family names (except, in the case of Chardonnay – whose latest instantiation I failed to taste – that of a Doerner ancestor) – based on continuity of terroir and/or vine genetics, and with the exception of four occasions when a so-called “signature cuvee” has been rendered, the four top bottlings from Cristom – each typically representing around 500 cases – are site-specific. Credit the estate’s largely eastern exposures; prevailing breezes; Feltz’s or Doerner’s approaches (including that aforementioned acid-adjustment) or whatever combination of factors you will, the 2009s at this address are remarkably fresh, juicy, buoyant, vivacious – and, as such, among the Willamette’s very best – ambassadors for their vintage. The top wines of 2010 had (in typical pace) been recently bottled when I visited in June; but release here is normally delayed for the better part of a year and the estate prefers not to show them until they have had several months to rest. They let me taste the Eileen and I readily concurred that, while highly promising, it seemed to need time in bottle to loosen-up and reveal nuance. Tel. (503) 375-3068